91快活林

Introducing Carbonite Ultra 60

As live production professionals continue to push the limits on their productions, it’s essential to have a dependable and efficient production switcher at the center of your workflow. However, with so many available options today, selecting the right switcher size to fit your specific needs can be daunting. Choosing a switcher that is too small may result in limited functionality and a lack of necessary features while selecting one that is too large can be expensive and cumbersome. Much like the popular children’s tale, Goldilocks and the Three Bears, this blog post will explore the question of what鈥檚 鈥渏ust right” when it comes to production switcher size?鈥�

Before we dive into that question, let鈥檚 be clear: 鈥渟ize鈥� refers to the number of inputs and M/E banks, not the physical frame dimensions or the number of buttons on the control surface; operators rarely care about frame size and almost always want more buttons. So for inputs and M/Es, how 鈥渂ig鈥� is 鈥渂ig enough?鈥� While there are any number of factors that go into answering that question, here are just a few of the more obvious ones: 

What kinds of shows are being produced or planned?

• Studio-based news and talk shows generally require fewer sources and Mix Effect banks than remote sports or certain types of entertainment programs. 

How many sources are required?

• Closely related to the types of programs being planned is the number of sources, including key signals, that will be required. 

What鈥檚 the future growth forecast? 

• Planned expansions, perhaps over three to five years, should factor into the size calculations to ensure there鈥檚 enough 鈥渉eadroom鈥� for the future. 

How experienced are the operators?

• It may sound counterintuitive, but less-experienced operators may require a larger number of inputs or M/Es to allow effects to be 鈥減arked鈥� upstream. 

What’s the Budget

• Although we all like to drool over the biggest switcher out there, the reality is that size and cost are more or less directly related: the larger the switcher, the more expensive it will be. 

Given these and all the other variables that may be considered, it might seem that there is no perfect size but in fact, our market research indicates that a switcher with around 36 inputs and two or three M/Es often provides the best balance of size, cost, and power; in short, a switcher in that range is 鈥渏ust right.鈥� 

Bigger Faster and More Powerful

When the Carbonite Development team was tasked with inventing 鈥淭he Next Big Thing,鈥� the number of inputs and M/E banks were certainly important considerations. Based on customer feedback, they knew that although Carbonite Ultra provides enormous capability in a very small 1RU package, it sometimes simply isn鈥檛 big enough. So鈥� 

More Inputs: 鉁�  They also wanted to leverage the latest advances in hardware technology to produce a switcher that would provide powerful effects capability: 

Powerful CPU & GPU: 鉁� And they wanted a switcher that provided a cost-effective upgrade path to keep pace with increased production demands: 

Expandable I/O: 鉁� The result of their efforts is Carbonite Ultra 60, the latest iteration in the legendary Ross Carbonite switcher series. 

Although Ultra 60 can trace its pedigree back to Carbonite Ultra, it represents a departure from its older cousin in many ways. For one thing, it offers the largest input matrix of any Carbonite we鈥檝e ever produced 鈥� up to 60 inputs in HD or UHD. It also features internal power supplies instead of power 鈥渂ricks鈥� which can make for a cleaner installation. And perhaps most importantly, Ultra 60 is the first modular Carbonite frame we鈥檝e ever manufactured. Think expansion; as in 鈥渟tart smaller and grow as needed.鈥� In fact, the 36-input/15-output version may hit the 鈥渟weet spot鈥� for many facilities; big enough to meet current demand while still providing a means to add more ins and outs down the road. 

But despite the differences, under it all, Ultra 60 is still a Carbonite. Transition Keyers, MiniMEs, MediaStores, Custom Controls, UltraScene, and DashBoard integration are all still part of the package so operators coming from other Carbonites won鈥檛 miss a beat. In fact, they won鈥檛 even have to learn a new control surface since legacy Black and the newer TouchDrive panels are all compatible. They can even load Settings files from Graphite, Carbonite Ultra or Carbonite Black onto Ultra 60 and not have to rebuild Source Name tables, Button Maps and all the rest. (Figuring out what to do with all the time that saves is up to them鈥�) 

When it was introduced over a decade ago, Carbonite created a whole new class of powerful, affordable, and operationally simple production switchers that redefined the notion of 鈥渕id-size.鈥� Carbonite Ultra 60 continues that tradition while providing a larger and more powerful platform that for many facilities will be 鈥渏ust right.鈥� 

About Tedd Tramaloni 

Before joining 91快活林 in 2014, Tedd held a variety of positions at call-letter stations and with broadcast equipment manufacturers. He also freelanced for over twenty years as a TD and Replay Operator. You can connect with him on LinkedIn or at tedd.tramaloni@rossvideo.com.